Grateful Dead - Dick's Picks Vol. 3-Pembroke Pines, Florida 5/22/77
Grateful Dead archivist Dick Latvala considered this show to be the finest outing on the entire Spring 1977 tour, and, as any Dead Head knows, that is high praise indeed! At the time this was released on CD, the Dead werenât sure a market existed (ha!) for three and four-CD packages, so this four-LP set leaves off eight songs from the show, but consider what songs are here: a phenomenal âHelp on the Wayâ/âSlipknot!â/âFranklinâs Towerâ comes after one of the definitive renditions of âSugareeâ and a terrific âThe Music Never Stopped,â with the late, great Phil Leshâs slithering bass leading the way in recording engineerâs Betty Cantor-Jacksonâs mix. But sides E, F & G offer one of those sublime (and, in this case, never to be repeated) sequences of songs that only the Dead could pull off in concert; after the rarely-performed âSunrise,â a medley of âEstimated Prophetâ/âEyes of the Worldâ/âWharf Ratâ/âTerrapin Stationâ (a truncated version two months before its official release)/âMorning Dewâ brings the show home, as Jerry Garciaâs soloing on âMorning Dewâ reaches heights seldom attained even by him. This was a knockout release on its first very limited vinyl run (check out those resale prices), and weâve improved on it with a fresh mastering job by Jeffrey Norman (in his own words, âthe sound is better than the original heard on the Brookvale releaseâ), and lacquer cutting by Clint Holley and Dave Polster at Well Made Music. Pressed on 180-gram black vinyl at the plant weâve been using to great acclaim for all of our Grateful Dead releases, Gotta Groove Records, and limited to 2000 hand-numbered copies!
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Grateful Dead - Dick's Picks Vol. 3-Pembroke Pines, Florida 5/22/77
Grateful Dead - Dick's Picks Vol. 3-Pembroke Pines, Florida 5/22/77
Grateful Dead archivist Dick Latvala considered this show to be the finest outing on the entire Spring 1977 tour, and, as any Dead Head knows, that is high praise indeed! At the time this was released on CD, the Dead werenât sure a market existed (ha!) for three and four-CD packages, so this four-LP set leaves off eight songs from the show, but consider what songs are here: a phenomenal âHelp on the Wayâ/âSlipknot!â/âFranklinâs Towerâ comes after one of the definitive renditions of âSugareeâ and a terrific âThe Music Never Stopped,â with the late, great Phil Leshâs slithering bass leading the way in recording engineerâs Betty Cantor-Jacksonâs mix. But sides E, F & G offer one of those sublime (and, in this case, never to be repeated) sequences of songs that only the Dead could pull off in concert; after the rarely-performed âSunrise,â a medley of âEstimated Prophetâ/âEyes of the Worldâ/âWharf Ratâ/âTerrapin Stationâ (a truncated version two months before its official release)/âMorning Dewâ brings the show home, as Jerry Garciaâs soloing on âMorning Dewâ reaches heights seldom attained even by him. This was a knockout release on its first very limited vinyl run (check out those resale prices), and weâve improved on it with a fresh mastering job by Jeffrey Norman (in his own words, âthe sound is better than the original heard on the Brookvale releaseâ), and lacquer cutting by Clint Holley and Dave Polster at Well Made Music. Pressed on 180-gram black vinyl at the plant weâve been using to great acclaim for all of our Grateful Dead releases, Gotta Groove Records, and limited to 2000 hand-numbered copies!
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Grateful Dead archivist Dick Latvala considered this show to be the finest outing on the entire Spring 1977 tour, and, as any Dead Head knows, that is high praise indeed! At the time this was released on CD, the Dead werenât sure a market existed (ha!) for three and four-CD packages, so this four-LP set leaves off eight songs from the show, but consider what songs are here: a phenomenal âHelp on the Wayâ/âSlipknot!â/âFranklinâs Towerâ comes after one of the definitive renditions of âSugareeâ and a terrific âThe Music Never Stopped,â with the late, great Phil Leshâs slithering bass leading the way in recording engineerâs Betty Cantor-Jacksonâs mix. But sides E, F & G offer one of those sublime (and, in this case, never to be repeated) sequences of songs that only the Dead could pull off in concert; after the rarely-performed âSunrise,â a medley of âEstimated Prophetâ/âEyes of the Worldâ/âWharf Ratâ/âTerrapin Stationâ (a truncated version two months before its official release)/âMorning Dewâ brings the show home, as Jerry Garciaâs soloing on âMorning Dewâ reaches heights seldom attained even by him. This was a knockout release on its first very limited vinyl run (check out those resale prices), and weâve improved on it with a fresh mastering job by Jeffrey Norman (in his own words, âthe sound is better than the original heard on the Brookvale releaseâ), and lacquer cutting by Clint Holley and Dave Polster at Well Made Music. Pressed on 180-gram black vinyl at the plant weâve been using to great acclaim for all of our Grateful Dead releases, Gotta Groove Records, and limited to 2000 hand-numbered copies!















